Tag Archives: Song Sale

Give us all your money.

17 Mar

Please.

Sam Smith and Robbie Ellis are Augmented FourthSam Smith and I make up a musical comedy duo called Augmented Fourth. We’ve known each other literally half our lives, and through school, university, post-university, and real life we’ve performed together in all manner of musico-theatrico-comedico-debating events.

This is the biggest project we’ve ever undertaken together: a one-hour show in the New Zealand International Comedy Festival called Augmented Fourth.

Now, I could ask you simply to book tickets for either Auckland or Wellington, but we’re getting more creative than simply ticket sales… we’ve arrived three years late to the crowdfunding party.

Specifically we want money for headset mics. Buying, hiring, whichever, but the Festival quoted us $1200 for two mics for two weeks. Here’s our pitch video!

Head on over to our PledgeMe page which details the pledge rewards – tickets, custom-written songs, namedrops and even singing telegrams. We’d be grateful for any contribution you’d care to make.

Also, we have another video which we recorded with our old high school orchestra. Granted, we both played double bass and percussion in this orchestra, not trombone…

PHWAAAAAAAAMP
PHWAAAAAAAAMP
PHWAAAAAAAAMP

PHWAAAAAAAAAAAAAAMP

Also, see us in Song Sale next week. Monday 24 March on Ponsonby Rd.

We’re on a radio show about the arts on Sunday

15 Feb

It’s taking me all my will power to avoid writing Arts on Sunday when referring to Radio New Zealand National’s rebranded programme Standing Room Only.

Oh, Lynn Freeman’s still presenting, Simon Morris is still producing, Justin Gregory is still doing his out-and-about reports, but they’ve got a new name for 2014.

Yesterday (Friday) Andrew Grenon and I were interviewed in a pre-record for The Laugh Track, a segment where ostensibly funny people get to select their favourite comedy. They’re going to play bits of our videos under the banner Politics The Opera. Here are those videos:

Our other-people music choices start with Victor Borge’s pastiche of Mozart opera, specifically the bit about tenor arias from 3:47:

Then Corwin Newall’s amazing a cappella number Bass, which I really should have asked to upload to SoundCloud or something… this was a product of Song Sale Dunedin.

Finally, Tim Minchin. Not one of his amazing wordy, wickedly funny numbers with impeccable logical constructions and syllogisms, rather a far less wordy and achingly expressive but less funny number still with impeccable logical constructions and syllogisms:

…but not this recording. The far more beautiful one from Tim Minchin vs the Sydney Symphony that was broadcast on ABC television, which isn’t up on YouTube. That recording has amazingly warm piano sound which balances with and cushions Minchin’s voice, as opposed to the above YouTube clip which pushes the voice way out front and centre, not letting his natural little adjustments to the piano texture leave room for his voice (which they do)… argh. Mixing is hard.

Speaking of mixing (and writing and recording and editing and mastering), I made this theme tune this week for this show:

Anyway, back on topic to me and Andrew, not Christine Brooks. Listen in live at 2pm tomorrow (Sunday)! I can’t, cause I’ll be working. Standing Room Only tends not to podcast the Laugh Track segment, so listening live is usually your only option. DO IT.

Song Sale Auckland

13 Feb

Song Sale, which started in Wellington and which I brought to Dunedin, is starting in Auckland! Almost seems like we’re franchising this thing proper…

I’ve wanted to start Song Sale Auckland since I settled in the city of my birth in May last year. I’ve held off until now because I only entered Auckland’s stand-up comedy scene a couple of months ago. Now I feel I have the contacts to make it work…

So it’s taking place on Monday 24 February at One 2 One Cafe on Ponsonby Rd. (Facebook event here.) According to the poster below:

Not made by a professional graphic designer.

Not made by a professional graphic designer.

We have Augmented Fourth on MC duties. This is me (cause I’m used to hosting Song Sale), and Sam Smith (because I want us to have plenty of performing experience together before our Comedy Fest show in May).

Becky Crouch is a comedian I’ve never met in person, but many in the scene have told me she’d fit right in. Sam Polwart is a comic I’ve come across a good few times, sometimes working musical audience interaction into his sets. Louise Beuvink studied in Dunedin and finished just before I arrived in 2012… all through that year, fellow performers told me she would have been great in Song Sale Dunedin, had she been around. Well, she’s in the very first Song Sale Auckland. Hoorah!

Rounding out the team of songwriters are Penny Ashton (I’ve done music for four of her solo shows); Clare Kelso (like Penny, one of the creative directors of ConArtists); Swaren Veygal (producer/DJ, former Music Director of the University of Otago Capping Show, and Song Sale Dunedin veteran); Josh Clark (choir director/accompanist who is wickedly funny); and my flatmate Andrew Grenon, my flatmate and the tenor with whom I make Politics The Opera videos.

By the way, Andrew and I are getting interviewed for the Laugh Track on Standing Room Only this weekend – after the 2pm news, Sunday on Radio New Zealand National. Listen eh. They don’t tend to podcast that segment so I think listening live is your/our only option.

Haven’t published anything in a while.

21 Aug

My life has been quite bitsy, full of lots of small projects.

Well, here’s one resultable fruit:

The Root Vegetable Opera is an overblown comedy song for mock operatic baritone and piano. Eight months on from the recording session, I’ve mixed the tracks. I don’t sound terrrrible, but I’m no classically trained singer. Corwin Newall, on the other hand, is a classically trained pianist.

On the topic of recording vocals, next week I make a studio recording of Annie & Joshua with my two singers. I’m getting Bridget Costello just a week before she leaves for London to study, but Callum Blackmore’s staying around for ages. Good.

Another composition is finally reaching fruition: I just published Trolling the Tuba to SOUNZ, and it’s getting premièred just outside San Francisco on Friday/Saturday/timezone depending. This is thanks to Jess Rodda and the rest of the International Low Brass Trio, which abbreviates to “ILBT”, which must be either a sandwich or a personality type. They’re going to be performing this work quite a bit over the next few months, including on a Canadiadian tour.

I am making plans for two out-of-town tours myself:
- Wellington (15 to 23 September): the 2013 New Zealand Improv Festival is on and I am the Musical Co-ordinator and musician for several shows myself. I’ve got a lot of things I’m looking forward to, but the most involved for me will be Time Lord, a Doctor Who-themed long form directed by David Innes from Melbourne. I’m borrowing synths from Wellington people.
- Dunedin (24 September to, uh, something). Song Sale! University Lunchtime Concert! Dunedin Youth Orchestra! Improsaurus (I hope)! All in one week.

Usually I find a picture for posts, so I googled-imaged-searched “most random image on the internet”. This is what arrived.

Happy Wednesday.

Chewbacca wielding a crossbow astride a giant squirrel fighting a regiment of Nazis.

Tele-spruiking

21 Feb

Looking east onto North Pender Island from the Gulf of Georgia.

Looking east onto North Pender Island from the Gulf of Georgia, taken as I write this post.

I write from the ferry between Victoria and Vancouver, in the territorial waters of British Columbia/Washington State/British Columbia. It’s Wednesday 20 February here in North America, but en Nouvelle-Zélande it’s a Thursday at a particular time of the month. This means Song Sale is on in Dunedin!

Now, it is a little odd and a little superfluous for me still to be spruiking for this monthly gig. Yes, I founded it in Dunedin and it was my baby, but now that Daddy has moved to a new city some foster parents have taken responsibility for the rambunctious toddler. Or something. I’m not good at parent-and-guardian analogies.

Regardless, I look from afar wishing all the best for this year’s gigs. I know it will thrive under new management: Corwin Newall is a fantastic writer and performer, and even though he’s young I can see him developing into a really good teacher and director of talent. Gabby Golding is one of the most enthusiastic and organised people I know in the Dunedin arts scene, and late last year she enthusiastically took the reins to organise this mother. (Told you my family member analogies weren’t good.)

They’ve secured funding from both Creative Communities and the Dunedin Fringe Festival, so they must be doing something right – importantly, this means the gigs remain free entry. They’ve also engaged Angus McBryde, a professional, to do their graphics. This is instead of retaining my, uhh, ‘idiosyncratic’ design principles of textual overload. Compare December 2012 and February 2013:

But beyond who manages it, Song Sale is not only an entertaining show for an audience, it’s a valuable vehicle for many different types of creatives.

For a songwriter in the generally-popular-music world, it’s a chance to submit one’s self to a deliberately constrained process: writing something in a hurry. If the song is no good, it can die after its first outing. If it’s great, all the better. If you write enough songs in a hurry, you develop good instincts about which is which and this helps you early in the writing process.

For composers – those trained in a classical, dots-on-paper tradition – Song Sale teaches timing, audience interaction, and Seeing What Works. So many composers are nervous wallflowers, afraid to put themselves out there. While the gig may look terrifying to total introverts, the vibe of the show means The Audience is On Your Side. Even if you try and fail, the audience will still love and support you.

That’s a precept of improv theatre as well – worth mentioning since many Song Salers are members of Improsaurus. The audience doesn’t come to a show to see the perfect response to any situation, they go along to see what on earth the response ends up being. There’s always a little thrill for an individual audience member when that person’s own suggestion is picked up and turned into a scene (for improv) or a song (for Song Sale), but even if the suggestion didn’t come out of your own mouth, you still feel like you have a stake in it: it came from the room and You Were There.

Added to this, many improvisers are also stand-up comedians and many stand-up comedians incorporate music. Song Sale is a pretty sweet song development laboratory, and it bubbles up musically comedic moments that don’t occur when you deliberately craft songs on your own. After a year-and-a-half of Song Sales in both Wellington and Dunedin, I have a heeeap of songs that have had several outings, become more refined and cogent, and could be turned into a solo show and/or an album.

If you’re reading this from Dunedin, do turn up tonight: 7pm at The Church, 50 Dundas St. The gig has a new structure (or a structure full stop): an established act performs for the first half – tonight it’s Reed Street Posse from Oamaru – and the commissions come after the interval. As always – and with gracious thanks to Creative Communities funding – entry is free and commissions are $5 per song. Here’s the Facebook event – go forth and spread.

General Update

9 Jan

A generic travel-related icon.

A generic travel-related icon.

There are a whole lot of things that I should have written about, but haven’t. It’s been a while since an update.

In the last month I’ve moved cities from Dunedin to Auckland. Over my last week down south (10-17 December), I had a whole lot of stuff to finish off: my last Song Sale, recording the tracks for Promise & Promiscuity, recording further vocals of songs with other Song Salers, and producing a live radio broadcast from Albany Street Studios. And of course there was the simple fact that I was leaving Dunedin after my one year as Mozart Fellow, a damn significant time in my life… maybe I should blog about these things when they come to fruition.

After Christmas with the family in Auckland, I was back down to Wellington to do some work as a presenter for Radio New Zealand Concert, and some development work on At Least We Have Our Jobs, a drama production for Radio New Zealand National. I spent a lot of time in the studio for that.

Tomorrow I fly off to Mexico and I’ll be away from New Zealand for four months. In that time I’m going to Cuba (Cuba!), the Seattle Festival of Improvisational Theater and the Chicago Improv Festival, and I’ll be in Austin during SXSW. I may not answer emails or Facebook quite as regularly.

I’m feeling a bit arse because of vaccines and dental work a couple of days ago. I still have tax and GST to do, not to mention packing for four months away. Eep.

Article

9 Dec

Charmian Smith interviewed me for the Otago Daily Times – article m’nyahr.

Education Minister translated redux – the video

15 Nov

I quite enjoyed The Dim-Post’s recent effort to translate the words of Education Minister Hekia Parata. So I made a video of it.

Also, Song Sale is on tonight. 7pm at The Church on Dundas St.

Song Sale November 2012 poster

The power to surpr**SPANISH INQUISITION Y’ALL**

2 Oct

Radio New Zealand last week, and Television New Zealand this week. All I need to do is resurrect NZPA from the dead and I’d have the trifecta.

Megan Martin and Ross The Cameraman from TVNZ’s Dunedin bureau came along to the most recent Song Sale at The Church. She filed this report for Close Up in which we sing of blenders, root vegetables, the onset of Spring, spiteful inheritances, and Mark Sainsbury.

Next Song Sale is Thursday 25 October, btw.

Mark Sainsbury, Megan Grinlinton & Trubie-Dylan Smith on Close Up
Singing up a storm

Upbeat on Upbeat

28 Sep

Just had an interview with Eva Radich on Radio New Zealand Concert’s Upbeat programme. I talk about:

Eva joins the list of people who don’t like the title ‘Relish in Immature Bombast’. I suggest it’s still no less ridiculous than ‘Concerto for Organ, Drum Kit and Orchestra No 1′.

Listen below:


Upbeat – 28 September 2012 – Robbie Ellis


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