We’re on a radio show about the arts on Sunday

It’s taking me all my will power to avoid writing Arts on Sunday when referring to Radio New Zealand National’s rebranded programme Standing Room Only.

Oh, Lynn Freeman’s still presenting, Simon Morris is still producing, Justin Gregory is still doing his out-and-about reports, but they’ve got a new name for 2014.

Yesterday (Friday) Andrew Grenon and I were interviewed in a pre-record for The Laugh Track, a segment where ostensibly funny people get to select their favourite comedy. They’re going to play bits of our videos under the banner Politics The Opera. Here are those videos: read more

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General Update

A generic travel-related icon.

A generic travel-related icon.

There are a whole lot of things that I should have written about, but haven’t. It’s been a while since an update.

In the last month I’ve moved cities from Dunedin to Auckland. Over my last week down south (10-17 December), I had a whole lot of stuff to finish off: my last Song Sale, recording the tracks for Promise & Promiscuity, recording further vocals of songs with other Song Salers, and producing a live radio broadcast from Albany Street Studios. And of course there was the simple fact that I was leaving Dunedin after my one year as Mozart Fellow, a damn significant time in my life… maybe I should blog about these things when they come to fruition. read more

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Upbeat on Upbeat

Just had an interview with Eva Radich on Radio New Zealand Concert’s Upbeat programme. I talk about:

In meinem letzten Leiden for Auckland Youth Orchestra (tomorrow in Whangarei, Sunday in Helensville, Friday 5 October in the Auckland Town Hall); Relish in Immature Bombast for Tim Noon, Jono Sawyer and the Auckland Philharmonia Orchestra (Thu 23 May 2013 in the Auckland Town Hall); The Piano Tuner’s Performance Appraisal for

Estrella read more

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When plans change.

I'm probably not supposed to do this to the logo.A month ago I was informed that my application for the 2013 University of Otago Mozart Fellowship was unsuccessful.

Given the largely consistent pattern in the last decade of Mozart Fellows having two years on the trot, I was under the illusion that a second term was assured as long as you were doing good work and got your application in on time.

Obviously I was wrong – all applications are assessed against each other fairly and without favouritism. Consequently I offer my congratulations to composer Samuel Holloway and the four other fellows just announced. read more

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I’m on TV and shit!

Well, it’s local TV. Still waiting for that big 7pm current affairs feature or whatever.

A Channel 9 crew came into my office yesterday to ask me some questions and shoot inserts of me noodling on two different types of keyboard. It’s a quickie look into what the Mozart Fellowship is about.

Story: University of Otago Mozart Fellow finds workload challenging

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