About Me

Robbie Ellis (photo: Renee Liang)

(Photo: Renee Liang)

My name is Robbie Ellis – I am a musician, composer, improviser and broadcaster. Born on Auckland’s sunny North Shore, I lived in Auckland from 1984-2008, then Wellington from 2008-2012, Dunedin in 2012, and now it’s complicated.

From January 2013 I am overseas, travelling through Mexico, Cuba, the USA and Canada. In May 2013 I will settle in Auckland as an arts freelancer.

Composer

I write music in a genre that can’t figure out its own name. Some call it “contemporary classical”, some call it “new music”, “acoustic music”, “concert music”, “art music”, “serious music”, “dots on paper”, “slounge music”… I prefer to call it “it music”. (You know it when you hear ‘it’.)

It’s writing for orchestras, chamber ensembles, solo instruments, voice, other bits and pieces etc etc. Mostly acoustic instruments, mostly notated.

My concert music has been performed by the following…

My compositions are represented by SOUNZ, The Centre for New Zealand Music. You can browse, preview and buy sheet music from them. Here’s my profile, which has a more sensible composer bio than this. Some of my pieces have recordings on Soundcloud – here’s my page.

I’m a member of the Composers Association of New Zealand (CANZ) and the Australasian Performing Right Association (APRA), and a graduate of the University of Auckland School of Music (BA/BMus 2003-2006; BMus(Hons) 1st Class 2007).

I was the 2012 University of Otago Mozart Fellow in Composition, based in Dunedin. I was also the 2012 Auckland Youth Orchestra Composer-in-Residence.

Songwriter

All of the above sounds pretty classical-based. That said, I do write songs and such. You know, singable, accessible melodies with words attached. Sometimes they’ve been for bands I’ve been in, often they’ve been songs for stand-up comedy. Sometimes they’re parodies of other songs. Those’re fun.

I’ve been part of Song Sale in both Wellington (as a writer/performer) and Dunedin (as founder/organiser/MC). These are monthly gigs where any audience member can commission a song on a chosen topic/theme/title/genre etc. One of a group of songwriter-performers goes out back, writes the song, performs it that night. It’s a great way to get writing with few reservations and preconceptions.

It’s not unheard of to improvise songs on the spot, but this format allows the creators to have a bit more time to refine things. Did someone say “improvise”? Well that segues nicely to the next h2 header…

Improviser

I’m a specialist in music for improv theatre. If that means nothing, the two best-known names are Theatresports™ and Whose Line Is It Anyway?, however those two formats are but a small range of what is possible in improv.

The companies I’ve worked with the most are ConArtists (Auckland), The Improvisors (Wellington) and Wellington Improvisation Troupe (WIT). During my time living in the South Island, I performed regularly with both Improsaurus (Dunedin) and The Court Jesters (Christchurch).

As a musician, I’ve performed a lot of full-length improvised musicals. Highlights have been multiple seasons of Austen Found: The Undiscovered Musicals of Jane Austen; tours of Improv: The Musical around New Zealand; and winning Best Comedy at the 2009 New Zealand Fringe Festival Awards for Improv: The Secondary School Musical.

Most of the time I’m the only musician, working with a larger number of actors and a lighting operator. When I’m the only muso, I use a two-keyboard setup. When there are other musicians, you can add a lot more instruments: I’ve incorporated everything from the conventional (guitar, egg shaker) to the moderately unconventional (trumpet, saxophone, kazoo) to the downright “What on earth are they doing in the theatre that day?” (xylophone, didjeridu).

I contributed backing tracks to Nancy Howland Walker’s very useful book Instant Songwriting (buy on Amazon), and there have been festivals galore too. I’ve performed at every New Zealand Improv Festival since its inception; at the 2009 Impro Melbourne Hallowe’en Classic, the 2010 Adelaide Fringe Festival and Improvention 2012 in Canberra; and in 2007 I did gigs with Colin Mochrie for the 20th anniversary of Theatresports in Auckland. I’ve also done two seasons of Improv FM which have been broadcast on Radio New Zealand National, which segues nicely, once again, to the next h2 header…

Broadcaster

From February 2008 to January 2012 I worked at Radio New Zealand Concert in Wellington as a producer and presenter. I was the series producer for The Critic’s Chair, the weekly review of recently released recordings; the producer of Podcast Classics, a monthly series of free downloads; and I was Kenneth Young’s producer for Resound, a project to bring recordings out of Radio New Zealand Concert’s archive and put them on the web for all to hear.

I regularly presented Sound Lounge, and I worked for Upbeat as a feature-maker, fill-in producer and fill-in presenter. I’ve also presented Composer of the Week, Music Alive and Young New Zealand; and in August 2011 I completed a major three-part documentary series called Making Maestros, focusing on the inaugural NZSO Conductor Workshops and the state of conductor development in New Zealand. This won me one of two New Zealand Radio Awards in 2012. Now that I no longer work for RNZ, I like to call them “posthumous” recognition.

That said, Radio New Zealand is a bit of a bungee-cord organisation – even when you leave, you don’t really leave. I continue to work freelance for them as a writer-presenter for The Critic’s Chair & Composer of the Week, a live broadcast presenter for Music Alive, a reviewer for Upbeat, and a musician/composer for Radio New Zealand Drama.

Other

Might have missed a few things out…

Contact

You can email me: robbie at robbie dot co dot nz.

(Page last updated 9 January 2013.)


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