Perfunctory blog post

23 Apr

Eketahuna German Literature Society coverPoint the first:

I’m now a published author. Given that I expended so much of the effort of publication late last year and well earlier this year, these launch events feel more like niche geeky parties than big culminations of work. I’m not good at writing about these things, but I spent A LOT of time consulting German poetry collections in the University of Auckland library.

You should buy a copy via instructions here – we will deliver to anywhere in the world. $20 if you buy one off me in person.

In a couple of months’ time, I will look back and realise, holy shit, I’m an actual proper published author. Not bad for a composer by training.

Point the second:

Augmented Fourth? Pledge Me? $400 short? 4 days to go? Get pledging. We’ll write you a song. We need us some wireless mics.

Point the third:

Oh god, there’s more? So much self-promotion going on. I should become a much better blogger and write about one thing at a time. About half of my franticisms can be traced back to the New Zealand International Comedy Festival. Go see shows. Most of all, go see ours in Auckland or Wellington. Especially Auckland. We’re driving like 10 minutes to the theatre and 10 minutes back. Not like those Wellington people who only have us doing a 16-hour drive.

Point the fourth:

Just friend me on Facebook or follow me on Twitter. Or keep up with the events in the sidebar, I’m quite good at updating those. But on this blog… I’m really not making it easy for you in this Web 2.0 age… wait… it’s not Web 2.0, that was like 2006. Man, I’m 8 years out of date.

Article the Fifth:

Ko tangata whenua te nope I can’t speak Treaty of Waitangi.

I should not publish this post.

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Give us all your money.

17 Mar

Please.

Sam Smith and Robbie Ellis are Augmented FourthSam Smith and I make up a musical comedy duo called Augmented Fourth. We’ve known each other literally half our lives, and through school, university, post-university, and real life we’ve performed together in all manner of musico-theatrico-comedico-debating events.

This is the biggest project we’ve ever undertaken together: a one-hour show in the New Zealand International Comedy Festival called Augmented Fourth.

Now, I could ask you simply to book tickets for either Auckland or Wellington, but we’re getting more creative than simply ticket sales… we’ve arrived three years late to the crowdfunding party.

Specifically we want money for headset mics. Buying, hiring, whichever, but the Festival quoted us $1200 for two mics for two weeks. Here’s our pitch video!

Head on over to our PledgeMe page which details the pledge rewards – tickets, custom-written songs, namedrops and even singing telegrams. We’d be grateful for any contribution you’d care to make.

Also, we have another video which we recorded with our old high school orchestra. Granted, we both played double bass and percussion in this orchestra, not trombone…

PHWAAAAAAAAMP
PHWAAAAAAAAMP
PHWAAAAAAAAMP

PHWAAAAAAAAAAAAAAMP

Also, see us in Song Sale next week. Monday 24 March on Ponsonby Rd.

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We’re on a radio show about the arts on Sunday

15 Feb

It’s taking me all my will power to avoid writing Arts on Sunday when referring to Radio New Zealand National’s rebranded programme Standing Room Only.

Oh, Lynn Freeman’s still presenting, Simon Morris is still producing, Justin Gregory is still doing his out-and-about reports, but they’ve got a new name for 2014.

Yesterday (Friday) Andrew Grenon and I were interviewed in a pre-record for The Laugh Track, a segment where ostensibly funny people get to select their favourite comedy. They’re going to play bits of our videos under the banner Politics The Opera. Here are those videos:

Our other-people music choices start with Victor Borge’s pastiche of Mozart opera, specifically the bit about tenor arias from 3:47:

Then Corwin Newall’s amazing a cappella number Bass, which I really should have asked to upload to SoundCloud or something… this was a product of Song Sale Dunedin.

Finally, Tim Minchin. Not one of his amazing wordy, wickedly funny numbers with impeccable logical constructions and syllogisms, rather a far less wordy and achingly expressive but less funny number still with impeccable logical constructions and syllogisms:

…but not this recording. The far more beautiful one from Tim Minchin vs the Sydney Symphony that was broadcast on ABC television, which isn’t up on YouTube. That recording has amazingly warm piano sound which balances with and cushions Minchin’s voice, as opposed to the above YouTube clip which pushes the voice way out front and centre, not letting his natural little adjustments to the piano texture leave room for his voice (which they do)… argh. Mixing is hard.

Speaking of mixing (and writing and recording and editing and mastering), I made this theme tune this week for this show:

Anyway, back on topic to me and Andrew, not Christine Brooks. Listen in live at 2pm tomorrow (Sunday)! I can’t, cause I’ll be working. Standing Room Only tends not to podcast the Laugh Track segment, so listening live is usually your only option. DO IT.

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Song Sale Auckland

13 Feb

Song Sale, which started in Wellington and which I brought to Dunedin, is starting in Auckland! Almost seems like we’re franchising this thing proper…

I’ve wanted to start Song Sale Auckland since I settled in the city of my birth in May last year. I’ve held off until now because I only entered Auckland’s stand-up comedy scene a couple of months ago. Now I feel I have the contacts to make it work…

So it’s taking place on Monday 24 February at One 2 One Cafe on Ponsonby Rd. (Facebook event here.) According to the poster below:

Not made by a professional graphic designer.

Not made by a professional graphic designer.

We have Augmented Fourth on MC duties. This is me (cause I’m used to hosting Song Sale), and Sam Smith (because I want us to have plenty of performing experience together before our Comedy Fest show in May).

Becky Crouch is a comedian I’ve never met in person, but many in the scene have told me she’d fit right in. Sam Polwart is a comic I’ve come across a good few times, sometimes working musical audience interaction into his sets. Louise Beuvink studied in Dunedin and finished just before I arrived in 2012… all through that year, fellow performers told me she would have been great in Song Sale Dunedin, had she been around. Well, she’s in the very first Song Sale Auckland. Hoorah!

Rounding out the team of songwriters are Penny Ashton (I’ve done music for four of her solo shows); Clare Kelso (like Penny, one of the creative directors of ConArtists); Swaren Veygal (producer/DJ, former Music Director of the University of Otago Capping Show, and Song Sale Dunedin veteran); Josh Clark (choir director/accompanist who is wickedly funny); and my flatmate Andrew Grenon, my flatmate and the tenor with whom I make Politics The Opera videos.

By the way, Andrew and I are getting interviewed for the Laugh Track on Standing Room Only this weekend – after the 2pm news, Sunday on Radio New Zealand National. Listen eh. They don’t tend to podcast that segment so I think listening live is your/our only option.

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Silly graphics

10 Jan

Actual work I’m doing:
- Being a real composer with three commissions on the go. All of them involve violin and/or piano.
- Preparing the comedy show Augmented Fourth with Sam Smith. An hour of musical comedy, in both Auckland and Wellington for the New Zealand International Comedy Festival.
- Editing and working up a book of poems from the Eketahuna German Literature Society.
- Writing songs for a musical theatre collaboration with Thomas Sainsbury.
- Tidying up other sheet music and recordings here and there.

Procrastination I’m doing:
- An anagram map of the Congestion Free Network.

I’ve been following the Auckland-focused transportblog.co.nz for a long time. Their collaboration with Generation Zero and the Campaign for Better Transport last year was a superbly clear vision for the future that reached a lot of people, and the maps made us reimagine our city. Aucklanders are starting to realise that efficient, modern public transport doesn’t just have to be for overseas cities, and one of the spin-off benefits is playing silly buggers with maps.

congestionfreenetwork

Anyway, here’s Anal Duck as you’ve never seen it before. Where possible, I tried to make the anagrams fit the place:
- Silverdale = Avid Resell (full of outlet shops)
- Devonport = Pot Vendor (lots of antiquey places)
- Britomart = Tram Orbit (well, once they extend the line from Wynyard Quarter…)
- Grafton = Fang Rot (there is a hospital there, and I presume dental surgeries too)
- Pt Chevalier = Vehicle Trap (down the end it is)
- Smales Farm = Rams’ Flames (that’s what happens when you hold laser light shows on a farm)
- Ellerslie = Seller Lie (I bought a car from the car fair there, it died 18 months later)
- Redvale = LED Rave (it’s near Snow Planet)
- Greenhithe = Neigh There (I can attest that there are plenty of horsey people in the area)
- Glen Eden = Glendene (they are adjacent suburbs after all)
- Ranui = A Ruin (stink for you)
- Mount Roskill = Tourism Knoll (a slight exaggeration of its purpose)
- Interchange Station = Sanctioning Theatre (I hope they do)
and my favourite:
- Waitakere Hospital = Weak Oral Hepatitis.

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Colin Craig Says Words – The Opera

17 Dec

Source: gaynz.com

Source: gaynz.com

My flatmate Andrew Grenon and I made a new video for Politics The Opera. It’s accidentally timely in regard to a particular BSA decision.

Dear world: sooner or later we’re going to come to you for a Pledge Me drive, so we can produce Politics The Opera videos all through next year (election year), and with higher production values.

Until then, we’re the ones giving you the presents. Enjoy.

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Robbie’s arbitrarily selective list of “new music” in 2014

15 Oct

newmusicAfter last year’s compiled list, I’m doing the same again this year. Four major classical music organisations that operate in Auckland have released their 2014 programmes: the Auckland Philharmonia Orchestra, Chamber Music New Zealand, the New Zealand Symphony Orchestra and New Zealand Opera (today at The Cloud).

I have gone through the programmes and picked out all the “new music” that’s in there in one easy-to-read list. Aren’t you fullas lucky?

In New Zealand Opera’s case, there is no “new music” to mention, but that’s not too surprising given there are only three productions next year. In the case of the other organisations, there’s a reasonable smattering. The APO has the most I’m looking forward to. CMNZ’s Kaleidoscope Series has some cool stuff, as will their Encompass Series (not announced yet, but pieces of mine are in there :-)). The NZSO’s brochure has this animal:

We don't care, we ain't caught up in your love of hair

That cat on Page 4 of the season brochure is weird. Just weird. And very out of context. I’ve heard it relates to a subsequent announcement from the NZSO though.

Onto the list! All dates are for Auckland unless otherwise specified. An asterisk * indicates a world première performance.

Added 22 October: Christchurch Symphony Orchestra.
Added 23 October:
New Zealand Festival

New Zealand “New Music” Composers’ Music

What I most want to see: Gao Ping is a rare creature in the modern world - a composer with the chops to perform his own piano concertos. His 四不相 (Si Buxiang, The Four Not-Alikes) looks like a concerto for piano and traditional Chinese orchestra.

What I most want to see: Gao Ping is a rare creature in the modern world – a composer with the chops to perform his own piano concertos. His 四不相 (Si Bu Xiang, The Four Not-Alike) looks like a concerto for piano and traditional Chinese orchestra.

*? Jack Body: Beat (among NZSQ, Forbidden City CO/Liu Shun, Gao Ping, Xiao Ma – 15 March)
Jack Body: Caravan (Nikki Chooi – 16 June)
Jack Body: Little Elegies (NZSO/Hamish McKeich – 2 May)
* Lyell Cresswell: The Clock Stops (Jonathan Lemalu, NZSO/James MacMillan – 10 May)
* Simon Eastwood/Natalie Hunt/Karlo Margetić/Tabea Squire: [new work from The Travelling Portmanteau] (NZSQ – 12 May)
Gareth Farr: Te Puna o Waiwhetu (CSO/Tom Woods – 22 February, Christchurch)
* Gareth Farr: [new piano concerto] (Tony Lee, NZSO/Pietari Inkinen – 28 March, Wellington only)
* Gao Ping: Si Bu Xiang (The Four Not-Alike) (Gao Ping, Forbidden City CO/Liu Shun – 15 March)
* Ross Harris: Aria for viola and string orchestra (Robert Ashworth, APO/Giordano Bellincampi – 5 June)
* Ross Harris: Requiem for the Fallen (Voices NZ Chamber Choir & NZSQ – 28 February, Wellington only)
Ross Harris: Te Moanapouri (CSO/Tom Woods – 17 May, Christchurch)
*? Dylan Lardelli: Secrets, Listening to the Qin (among NZSQ, Forbidden City CO/Liu Shun, Gao Ping, Xiao Ma – 15 March)
Douglas Lilburn: Aotearoa Overture (NYO/Ben Northey – 6-7 February, Wellington & Napier only)
* Michael Norris/David Downes: Wu Xing (Five Phases) (among NZSQ, Forbidden City CO/Liu Shun, Gao Ping, Xiao Ma – 15 March)
* Celeste Oram: macropsia (APO – 21 May)
John Psathas: Between Zero and One (Strike Percussion – 10 March, Wellington)
John Psathas: View from Olympus (Evelyn Glennie, Stephen De Pledge, APO/Hans Graf – 4 September)
* Anthony Ritchie: Symphony No 4 (Jenny Wollerman, CSO/Tom Woods – 22 February, Christchurch)
* Kenneth Young: [new work for brass] (Woolston Brass, CSO Brass/Kenneth Young – 20 September, Christchurch)
* Kenneth Young: [new work] (APO/Carlos Miguel Prieto – 16 October)
* [NYO Composer-in-Residence]: [new work] (NYO/Alexander Shelley – 19 July)

Living Foreign “New Music” Composers’ Music

What I most want to see: This Strayan fair dinkum muso Bretto Deano's concerto for trumpet...-o... yes. Only got premièred a couple of months back, and somehow I missed Håkan Hardenberger on his last visit here in 2007 (I think). Not gonna miss this one.

What I most want to see: This Strayan fair dinkum muso Bretto Deano‘s concerto for trumpet…-o… yes. Only got premièred a couple of months back, and somehow I missed Håkan Hardenberger on his last visit here in 2007 (I think). Not gonna miss this one.

Harrison Birtwistle: Oockooing Bird (Joanna MacGregor – 27 March)
John Corigliano: Violin Concerto, The Red Violin (Chloë Hanslip, APO/Eckehard Stier – 20 February)
Brett Dean: Eclipse (Doric SQ – 17-31 July, Dun/Ham/Nap/Wel/Chc only)
Brett Dean: Trumpet Concerto, Dramatis Personæ (Håkan Hardenberger, NZSO/Dmitri Slobodeniouk – 18 October)
*? Gao Weijie: Three Songs of Yuan Qu (among NZSQ, Forbidden City CO/Liu Shun, Gao Ping, Xiao Ma – 15 March)
Osvaldo Golijov: Ainadamar (Kelley O’Connor, Jessica Rivera, Jesus Montoya, Leanne Keneally, James Clayton, NZSO/Miguel Harth-Bedoya – 2 March, Wellington only)
Sofia Gubaidulina: ‘The Little Tit’, from Musical Toys (Joanna MacGregor – 27 March)
Sampo Haapamäki: Signature (CSO/Tom Woods, 24 & 25 May, Christchurch)
Matthew Hindson: Homage to Metallica (NYO/Ben Northey – 6-7 February, Wellington & Napier only)
György Kurtág: Six moments musicaux (Kelemen Quartet – 19 March)
James MacMillan: The Confession of Isobel Gowdie (NZSO/James MacMillan – 10 May)
James MacMillan: Woman of the Apocalypse (NZSO/James MacMillan – 10 May)
Torsten Rasch: Lycanthropy Aria, from The Duchess of Malfi (Tobias Cole, CSO/Tom Woods – 21 May, Christchurch)
Peter Sculthorpe: Memento mori (NZSO/Hamish McKeich – 2 May)
John Williams: Bassoon Concerto, The Five Sacred Trees (Ingrid Hagan, APO/Tito Muñoz – 1 May)
*? Zou Hang: Shi Bian Wu Hua (Ten Changes and Five Variables) (among NZSQ, Forbidden City CO/Liu Shun, Gao Ping, Xiao Ma – 15 March)

Dead Foreign “New Music” Composers’ Music

What I most want to see: this was tricky. Lutosławski's Concerto for Orchestra was a revelation when I played it in uni orchestra, Pacific 231 will be a mean-as concert opener... but ultimately it's Leoš Janáček's Sinfonietta which will kick the most ass live.

What I most want to see: this was the trickiest to pick just one. Lutosławski’s Concerto for Orchestra was a revelation when I played it in uni orchestra, Pacific 231 will be a mean-as concert opener… but ultimately it’s Leoš Janáček‘s Sinfonietta which will kick the most ass live. Part of the same trumpetlicious gig as the Brett Dean work.

Béla Bartók: Concerto for orchestra (CSO/Tom Woods – 18 October, Christchurch)
Béla Bartók: Sonata for two pianos and percussion (Diedre Irons, Michael Endres, Thomas Guldborg & Lenny Sakofsky – 1 September)
Béla Bartók: String Quartet No 4 (Kelemen Quartet – 9-18 March, Dun/Nsn/Wel/Nap/Ham only)
Béla Bartók: String Quartet No 5 (Kelemen Quartet – 19 March)
Alban Berg: Three Fragments from Wozzeck (Jenny Wollerman, APO/Eckehard Stier – 24 July)
Benjamin Britten: Noye’s Fludde (NZ Opera – during the New Zealand Festival, Wellington)
Benjamin Britten: Soirées musicales (after Rossini) (NZSO/Junichi Hirokami – 22 November)
George Gershwin: Preludes (Nikki Chooi & Stephen De Pledge – 9-24 June, NP/PNorth/Inv only)
Henryk Górecki: Symphony No 3, Symphony of Sorrowful Songs (Sara Macliver, NZSO/Hamish McKeich – 2 May)
Arthur Honegger: Pacific 231 (APO/Eckehard Stier – 27 February)
Leoš Janáček: Sinfonietta (NZSO/Dmitri Slobodeniouk – 18 October)
Erich Korngold: Much Ado About Nothing Suite (NZSO/Alexander Shelley – 25 July)
Erich Korngold: String Quartet No 2 (Doric SQ – 20 July)
Erich Korngold: Violin Concerto (Mikhail Ovrutsky, NZSO/Pietari Inkinen – 4 April)
György Ligeti: String Quartet No 1, Métamorphoses nocturnes (Kelemen Quartet – 9-18 March, Ham/Nap/Wlg/Nsn/Dun only)
Witold Lutosławski: Concerto for orchestra (APO/Tito Muñoz – 1 May)
Joseph Marx: [selected songs] (Christine Brewer, APO/Leo Hussain – 28 August)
Olivier Messiaen: L’Ascension: Quatre méditations symphoniques (CSO/Tom Woods – 23 August, Christchurch)
Olivier Messiaen: Oiseaux exotiques (Joanna MacGregor, APO/John Nelson – 27 March)
Nikolai Myaskovsky: String Quartet No 13 (Borodin Quartet – 22 October)
Francis Poulenc: Sinfonietta (APO/Paul Goodwin – 9 October)
Alfred Schnittke: Concerto for piano with string orchestra (Ragna Schirmer, APO/Eckehard Stier – 20 November)
Alfred Schnittke: Concerto Grosso No 2 for violin, cello and orchestra (Mark Menzies, Ashley Brown, CSO/Tom Woods – 14 June, Christchurch)
Dmitri Shostakovich: String Quartet No 1 (Aroha SQ – 13-25 October, Nsn/Inv/PNorth/NP/Ham only)
Dmitri Shostakovich: String Quartet No 11 (Borodin Quartet – 22 October)
Dmitri Shostakovich: Symphony No 5 (NZSO – 13 March, Wellington only)
Dmitri Shostakovich: Symphony No 12 (APO/Eckehard Stier – 20 November)
Dmitri Shostakovich: Symphony No 15 (NZSO/Alexander Lazarev – 24 May)
Igor Stravinsky: Petrushka [1947 version] (APO/Eckehard Stier – 20 February)
Igor Stravinsky: Petrushka (CSO/Tom Woods – 14 June, Christchurch)
Igor Stravinsky: The Soldier’s Tale Suite (APO/Eckehard Stier – 30 October)
William Walton: Henry V Suite (NZSO/Alexander Shelley – 25 July)
Anton Webern: Six Pieces for orchestra (APO/Giordano Bellincampi – 5 June)

Also:

The Adults meet the APO (Jon Toogood, Julia Deans, Shayne Carter, Steve Bremner, Ladi6, Anika Moa, APO/Hamish McKeich – 30 January)
Doctor Who Symphonic Spectacular (heaps of guests, choirs, NZSO – 21 & 22 February, Wellington only)
Serj Tankian’s Orca and Elect the Dead symphonies (CSO/Hamish McKeich – 29 March, Christchurch)
The Golden Age of Broadway (Tim Beveridge, Julia Booth, Juliet Reynolds-Midgley, Tainui Kuru, Christchurch Pops Choir, CSO/Luke Di Somma – 11-12 April, Christchurch & Timaru)
Traditional Chinese works (Aroha SQ – 13-25 October, Nsn/Inv/PNorth/NP/Ham only)
Settling the Score Live – an opportunity for you to nominate some “new music” (APO – 28 November)

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The munging of the tunes

9 Oct

Lorde and Dave Dobbyn both have hit songs where the title rhymes with oil.. or oils. Kinda. Royals is currently No 1 on the US Billboard Chart. Loyal was going to be once again overexposed once Team New Zealand won the America’s Cup, but then they didn’t.

MASH-UPS FOR THE SAKE OF MASH-UPS!

This is me in my bedroom. It has nearly 4,000 views in a day-and-a-bit:

This is me in my lounge playing that Yamaha Electone B-60 I bought for $100 off Trade Me. It has pretty much 0 views because I only just uploaded it now:

Also, congratulations Dave Dobbyn on your imminent induction to the New Zealand Music Hall of Fame. Hope you’re okay with me wrecking your song. And congratulations Lorde on your Number One single. Hope you’re okay with that one blogger calling you a racist.

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Haven’t published anything in a while.

21 Aug

My life has been quite bitsy, full of lots of small projects.

Well, here’s one resultable fruit:

The Root Vegetable Opera is an overblown comedy song for mock operatic baritone and piano. Eight months on from the recording session, I’ve mixed the tracks. I don’t sound terrrrible, but I’m no classically trained singer. Corwin Newall, on the other hand, is a classically trained pianist.

On the topic of recording vocals, next week I make a studio recording of Annie & Joshua with my two singers. I’m getting Bridget Costello just a week before she leaves for London to study, but Callum Blackmore’s staying around for ages. Good.

Another composition is finally reaching fruition: I just published Trolling the Tuba to SOUNZ, and it’s getting premièred just outside San Francisco on Friday/Saturday/timezone depending. This is thanks to Jess Rodda and the rest of the International Low Brass Trio, which abbreviates to “ILBT”, which must be either a sandwich or a personality type. They’re going to be performing this work quite a bit over the next few months, including on a Canadiadian tour.

I am making plans for two out-of-town tours myself:
- Wellington (15 to 23 September): the 2013 New Zealand Improv Festival is on and I am the Musical Co-ordinator and musician for several shows myself. I’ve got a lot of things I’m looking forward to, but the most involved for me will be Time Lord, a Doctor Who-themed long form directed by David Innes from Melbourne. I’m borrowing synths from Wellington people.
- Dunedin (24 September to, uh, something). Song Sale! University Lunchtime Concert! Dunedin Youth Orchestra! Improsaurus (I hope)! All in one week.

Usually I find a picture for posts, so I googled-imaged-searched “most random image on the internet”. This is what arrived.

Happy Wednesday.

Chewbacca wielding a crossbow astride a giant squirrel fighting a regiment of Nazis.

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Having fun with language

24 Jul

Last night I got to speak sustained German for the first time in a while – I chatted with Nadine Antler from Kaktussen, an improv troupe in Würzburg.

She’s here at Improvention in Canberra, and so am I. While it’s okay if I screw up my German chatting in a bar, she’s consistently performing and improvising in English on stage. That’s bravery.

So far I’ve done six shows (two as an actor and four as a musician), and I have at least five to go. More on those later, if I get around to committing thoughts to keyboard.

headerBut that’s not what this post is about! It’s about the Eketahuna German Literature Society.

If you are disappointed that it is a fictional organisation, you are disappointed. It was my brainchild – let’s (mis-)translate classic German poetry and render it in New Zealand English, or in New Zealand contexts. The most-represented poets are Goethe, Rilke, Schiller, Heine, Mörike and Hesse.

And yes, the misspelled German name is intentional.

I enlisted Cordelia Black. While in the beginning we translated roughly even numbers of poems, now she does way more than me. Probably 80% of them. Yeah, I slacked off.

There’s a balance of brooding introspection (y’know, New Zealand arts) and quirk (y’know, New Zealand arts). Cordelia is a bit more skilled at the subtle, nuanced writing. One of her most beautiful and aching is Liebeslied / Joint Custody, a Rilke translation. Paula Bennett’s recent welfare reforms come in for criticism in Die Guttat / Milk of Human Kindness. And I’m quite proud of my boy-racer themed translation of Goethe’s Erlkönig.

But we go odd too – me more than Cordy, I think. My magnum opus in that rendering sections of Wilhelm Busch’s naughty boys Max und Moritz as Van and Munter from Outrageous Fortune. Heine’s classic Dichterliebe lyric Im wunderschönen Monat Mai becomes In the not-so-wonderful month of May, given our southern hemisphere season patterns. Some emotive Schiller from Die Jungfrau von Orleans gets turned into Goodbye Burger King, a wistful pining for Joanne at the drive-through.

This one from Cordelia is piquant, a Christian Morgenstern translation:

Two hardwood poles used copper wire
To have an afternoon conspire.

They shared their creaky Morse-discourse
Above the kanukas and gorse.

They both wore fetching metal rings
To save their trunks from climbing things.

One pole said “chur”. One said “g’day”.
That’s all I will translate today.

But why am I posting about the Eketahuna German Literature Society now? Because we reached 100 poems today! What is our 100th poem? Well, it’s called A Hundred Runs. It wouldn’t be a survey of New Zealand without the troubles of New Zealand cricket.

Thanks Cordy, this is great fun to do.

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